Your Photo is Not a Logo and Here’s Why

Photo LogoVery few things in life make me sad. Injured puppies, sick babies…the usual. However, in the graphic design world, nothing makes me sadder than a bad logo. Specifically, I’m talking about a logo that’s a photograph. Why? Because, it’s a photograph, not a logo. Here are a few reasons why a photograph doesn’t work for your brand.

1. Details – Depending on the size of your photograph, you will lose details when it is placed in smaller areas. For instance, a business card, with a photograph is going to give you a very small image and potential customers will be squinting to make out the photo details.

2. Resolution Issues – A successful (and useable) logo needs to be exponentially expandable. If you have a photo, the resolution for print is usually 300 dpi. To create a photo that’s large enough to print on a billboard, you would need a  much higher resolution, which would require additional software or the help of a digital photographer. Otherwise, you will have a huge mess of pixels and potential customers will be squinting to make out the overall image.

3. Design Limitations – With a photograph, you’re limited. You wouldn’t likely put a photo on a photo. That would look silly. It will also cause difficulty if you are trying to put your logo on apparel or promotional items.

4. A Photo is Not an Effective Brand Identifier – When I see a photograph I can appreciate it, but I don’t necessarily remember it or associate it with anything specific. No matter what your subject is, there are hundreds of other photos of the same thing out there. Looking at an image of a sweat-covered runner in top form makes me think of fitness, but I don’t necessarily know the brand. However, when you see a swoosh, you automatically think of Nike.

Here are some guidelines to help create a successful logo:

1. Keep it Simple Stupid (KISS) – This was our mantra in college. A successful logo should be simple, yet it should stand out enough that anyone can glance at it quickly and identify it as your brand. Buses go by pretty quickly. Know what I mean?

2. Professional Logo = Good Investment – Find a professional designer or an art student to design your logo properly. It’s pretty easy to find a graphic designer who will give you a good deal on logo design these days. I often have clients with smaller budgets, but I’m happy to help them out for the sake of good branding. Make sure the logo is designed with a vector-based program like Adobe Illustrator. Also, the designer should give you a complete logo set, including a color version, a black and white version and a reverse logo (basically a white logo for color or dark backgrounds).

3. Make Designers Happy – Make sure you receive the following files: An EPS of each version (for print) and JPGs or GIFs of each version (for web). This way, when you do any print or advertising, you can just send one of these files to the designer or printer and they can take it from there. They will love you for it.

4. Your Logo Here – The best way I’ve found to describe a successful logo is to picture it embroidered on a hat or golf shirt. Is it simple enough to be readable? Is it the right file type for embroidery? If the logo works there, then it will work anywhere.

I don’t mean to be harsh or to offend your business. I want your brand to succeed. I want designers to rejoice at the ease of working with your files. Take a look at your logo and ask yourself if it really and truly works. If it does, great! If it could better, send me an email and let’s chat.

For some great examples of bad photo logos, head over to yourlogomakesmebarf.com.

Print Advertising Still Exists

After what feels like years of designing advertisements for the web, I recently had a long-time client request a simple print ad for the Boston Globe. Other than print ads for event program books, I would guess it’s been about three years since my last print ad for a publication. I was excited to return to my first love, print design, but I quickly realized how much more work it required.

First, I needed a high-resolution image, which the client didn’t have. Normally, a simple online search of images will yield the results I need for an online ad. Fortunately, having worked with Fairmont Hotels previously, I knew they had a great image library for use. I was able to download a high-resolution image for the ad. If this was another company, without such resources, it would have taken significantly longer. Several emails back and forth. Sometimes low-res images that I can’t use, etc. Needless to say, I was grateful this was an easy find.

Next, I had to consider crop marks and bleeds. Oh goodness, I hadn’t dealt with those in awhile. Are bleeds allowed? If so, how much photo space should I leave past the crop marks? A design destined for print requires certain specifications to ensure that the work is printed correctly by industrial lithographic or digital printers. With online ads, what you see is what you get.

Once, I had everything ready to go, I had to flatten the layers and save as PDF. Adobe has greatly improved the quality of my design life with Acrobat. No more collecting images and logos for output, zipping them up and then still having a large file. If a printer didn’t have an FTP site from which to upload, a designer would have to burn the file to a CD or, back in the day, a Zip Disk and have a courier deliver the files. Printers are now able to print directly from a high-quality PDF. I love technology.

Great. I had a completed and approved ad. Easy as pie. That is until after submitting the ad, when we were told the ad could be in color. Oops. Back to step one…

Royal Hospitality Boston Globe Ad DesignDon’t worry. It all worked out. Keep an eye out in the Boston Globe either the weekend of June 3rd or the week after for the Fairmont Copley Plaza’s 100th Anniversary special. Congratulations, Fairmont Copley Plaza! And thank you Royal Hospitality for keeping me busy.

Please Stand By…

…while I work out the bugs in the new website. I thought moving everything to WordPress would be much simpler. In most cases it has been, with the exception of the portfolio. Of course, that’s the most important part of any graphic designer’s website, so I’m feeling a little frustrated at the moment. I will be working diligently to get these hiccups corrected. In the meantime, feel free to send me a note if you would like to view any of my work.

Thanks and stay tuned!